Nguyen Duc Phuong

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Faceless

2017

Clay, dó paper, tree sap

The sculptural installation Faceless was created in a craft village in Bac Ninh that specializes in spiritual and religious statues. The elements in lighter shares are made from a mix of clay and paper fiber and are left unfired; while the dark brown ones are glazed with processed tree sap, a color traditionally associated with monk robes. The alcove shapes behind the statues are inspired by the molds used and discarded to create the figurines. Here they are repurposed into creating small cave-like sculptures housing the effigies. 
 
Like many of Nguyen Duc Phuong’s sculptural pieces, the statues are not fully formed although certain characteristics the shape of the ears or a hand position for example allow us to immediately understand their symbolic or religious significance in an experience akin to entering an ancient archaeological site. Looking at Faceless, one can observe a timeless quality to the works as if multiple layers of history were stored in the objects themselves. 
 
(Edited from text excerpts provided by San Art)