Beirut, 1983 (Translatio Imperii series) North Korea, 1950-53 (Translatio Imperii series) Grenada, 1983 (Translatio Imperii series) Iraq, 2016 (Translatio Imperii series) Iran, 1988 (Translatio Imperii series) North Korea, 1950 (Translatio Imperii series) Tora Bora, 2001 (Translatio Imperii series) Laos, 2013 (Translatio Imperii series) Guatemala, 1960s (Translatio Imperii series) Yalu River, 1950 (Translatio Imperii series) Yemen, 2004 (Translatio Imperii series) Yemen, 2016 (Translatio Imperii series) Pale, Bosnia, 1995 (Translatio Imperii series) Iraq, 1991 (Translatio Imperii series)

Lien Truong

Lien Truong (b. 1973, Vietnam) earned a BFA from Humboldt State University in Arcata, CA, in 1999, and an MFA from Mills College, Oakland, CA, USA in 2001. Lien Truong’s practice examines cultural and material ideologies and notions of heritage. Her work blends painting techniques, materials and philosophies, and military, textile and art histories; creating hybrid forms interrogating the relationship between aesthetics and doctrine. Her work has been included in exhibitions at the National Portrait Gallery, Washington, DC, USA; North Carolina Museum of Art, Raleigh, NC, USA; the National Centre for Contemporary Arts, Moscow, Russia; Nha San Collective, Hanoi, Vietnam; and Art Hong Kong; among others. She is the recipient of several awards and honors, including the Joan Mitchell Foundation Painters and Sculptors Grant, Whitton Fellowship from the Institute from the Arts and Humanities, and the NC Arts Council Fellowship. Residencies include the Oakland Museum of California and the Marble House Project, Vermont. Lien Truong’s work is in several public collections in the USA, Australia and Asia.